At CTM 2014, a special two-day Sound Exchange concert and performance programme at the HAU Hebbel am Ufer (HAU2) brings a selection of projects by younger-generation Eastern European artists working in resonance (or in contrast) with their pioneering counterparts.
The Sound Exchange exhibition in the Foyer of HAU2 provides further context by presenting individual artistic positions, regional groupings, and currents in Central and Eastern Europe’s experimental musical cultures from the 1960s to the present. Through various documents, images, and sounds, eight exemplary pioneers and their works are portrayed in regional and historical context, as are their underlying artistic processes and positions.
An afternoon programme regrouping lectures, a round-table discussion, and a specially-commissioned film programme focused on the late GDR underground scene that presents rare and never before seen film and video documents, gives the possibility for in-depth reflection and debate. Further examinations of musical developments elsewhere in the East and West will unfold throughout various other events within CTM 2014’s Discourse series.
Sound Exchange began its search for the roots and current state of experimental music culture in Central and Eastern Europe in 2010, pursuing commonalities and singularities found within these regions and discussing their relationship with the international history of experimental music. Aiming at rendering local lines of development visible again and encouraging artists to reconnect to these traditions, Sound Exchange produced a series of festivals, exhibitions and workshops in Poland, Slovakia, Estonia, Lithuania, Latvia, Hungary, Germany and the Czech Republic, in close collaboration with local initiatives in each country. CTM 2014 presents some of the findings and achievements of the extensive project through a special condensed programme at the festival, and links it into further dialogue with parallel developments in Russia and the West.
Check here for details >>>
all videos by Jan Mühlberg, Chemnitzer Filmwerkstatt
We’re working on the documentation right now. A selection of photos by Igor Krakowiak can be found here >>>. Stay tuned.
Here you can listen to an excerpt of what was produced during 5 days in the workshop »radio ex change – Radio as an artistic-experimental medium« with Wojciech Kucharczyk (PL)
As intended by Wojciech, the topic was developed together with the workshop participants during the days over discussions and shifted from dealing with the current situation in Hungary to questioning ‘language’ as the ‘ex change’ medium…
The results – compiled in a 20 minute track – was transmitted live on air, as well the official opening of the soundexchange day was transmitted and amplified via radios only …
the participants were:
ZSILKA ZSÓFIA, AGÀRDI TAMÁS, CSELENÁK ZSOLT, KÓSA GERGELY, KOVÁTS JÁZON, BÉRCES MÀTÉ and professor SZIGETVÀRI ANDREA from LISZT FERENC ZENEMŰVÉSZETI EGJETEM – Elektroniks Zenei Mediaműveszet and
The last station of the soundexchange project before the final festival in Chemnitz/Germany in November just took place in Budapest. You can find an image gallery here >>>
SOUND EXCHANGE DAY BUDAPEST (13.October 2012) is the seventh station of the project, which is organized by DOCK e.V. Berlin and the Goethe-Institut in close collaboration with the Festival UH Fest at the Akvárium Klub. It features selected outstanding representatives of experimental music culture in Hungary, Latvia and Germany.
The actual images from the Prague edition of sound exchange day can be found here >>>
SOUND EXCHANGE DAY PRAGUE is the sixth station of the project and is organized by DOCK e.V. Berlin and the Goethe-Institut in close collaboration with the Festival Babel Prague at Archa Theatre. It features selected outstanding experimental music representatives from the Czech Republic and the former GDR.
The Sound Exchange Day Tallinnjust happend at the Kultuurikattel, some images can be found here >>>.
Stalker Festival added a facebook album here >>>
Produced in close collaboration with the STALKER Festival, SOUND EXCHANGE DAY TALLINN is the project’s fifth station and is being held at Kultuurikatel. It features selected outstanding experimental music representatives from Lithuania and Estonia.
SOUND EXCHANGE DAY RIGA is the project’s fourth station to be organised by DOCK e.V. Berlin and the Goethe Institut Riga together with the Skaņu Mežs Festival for new and experimental music at White Night Riga 2012. Outstanding representatives of experimental music culture from Latvia, Hungary and Germany have been selected to present their work.
The Sound Exchange Day in cooperation with the Goethe Institut and »Jauna Muzika« festival Vilnius just took place. The centre of the concert was an artistic examination of different electric organs or analogue synthesizers, such as VILNIUS 3, VILNIUS 5, Electronika EM-25 and VENTA, which were constructed during Soviet times in Vilnius. You can find a photo documentation of the concert evening as well the »Vilnius Sound Locations« focusing on the phenomenon of the ›sound memory‹ of spaces with Maksims Šentelevs from Riga here.
Another image gallery from the festival can be found here.
A short video showing some impressions can be seen here: http://vimeo.com/40539412
SOUND EXCHANGE DAY VILNIUS is the project’s third station to be organised by DOCK e.V. Berlin and the Goethe Institut Vilnius together with the »Jauna Muzika« festival. Selected outstanding representatives of experimental music from Lithuania, Estonia and Germany will be presented at CAC – Contemporary Art Centre / ŠMC – Šiuolaikinio meno centras.
Florian Neuner produced a nice podcast about the soundexchange day in Bratislava for the Goethe Institut (Touring with Goethe No. 54). You can listen to several interviews and music by Milan Adamciak, Kurek/Bumšteinas Duo, Andrius Rugys and Frank Bretschneider.
You can find a image gallery with impressions from the soundexchange day in bratislava (2nd december 2011) here.
A gallery of the concert evening by Next festival photographers Šimko Košík and Zuzana Krajčíková can be found here.
With Kippschwingung, Frank Bretschneider combines his never simplistic but all the more profound relationship to rhythm with the specific sound aesthetics of the Subharchord. He uses the “rhythmisation installation” designed especially for the instrument as well as the exciting, abstract sounds, which lie exactly between noise and tone, in order to combine an almost forgotten technology with contemporary production and music-making techniques.
For the first time bretschneider presents kippschwingung as audio-visual performance for the soundexchange day Bratislava at the NEXT festival.
The opening of the soundexchange exhibition at the Goethe Institut Bratislava on 2nd december with Milan Adamčiak (center) and Jozef Cseres (left).
what happens before and after the sound? to test the alarm of the morning clock – one need to sleep through all night long… one need to let the body to become auricular… to sleep, to eat, to work, to walk, to [...], just listen… presentation of the workshop results of “beforesoundafter (besounder?)” with Andrius Rugys from Vilnius.